Monday, May 23, 2022

The Kite Runner

Yesterday I finished 'The Kite Runner' by Khaled Hosseini. Today I sit in a Starbucks writing a review about it. 

I feel ashamed that I could read such a heart-wrenching and emotional book sensitive for many and sleep the night like a baby. 

(This review may contain spoilers and will therefore assume that you as the reader are familiar with the various plot points and characters that will be discussed.)

Themes of religion, race, and ethnicity are expressed throughout the novel. As a Sunni Muslim, I was exposed to the harsh treatment many Shias have to face just for their religion, and in the case with Hassan, his Hazara ethnicity as well. Amir, a Sunni Pashtun, and Hassan, a Shia Hazara, represent one of the many divisions that exist in the Afghan society. Naturally, these divisions which fate bores them into pave the course of their lives. 

Amir is the privileged son of a wealthy and well-respected Pashtun man, Baba. He doesn't experience poverty or the nasty glares of others for his facial features. He doesn't have to fear what awaits him at the turn of a street corner... or alley. Amir doesn't have a strong emotional connection with his father which he blames on himself and it seems to be the only cause of worry for him in his life.. how fortunate. Amir, unlike his friend Hassan, is educated and as a child he mocks his friends ignorance.

Hassan is a loyal and forgiving friend who is the servant of Amir and his father. He serves his friend breakfast, prepares his books for school, and cleans the home. Hassan's way of life taught him from a very young age that he is meant to sacrifice himself for the sake and comfort of others. Hassan is a content person and tells Amir how grateful he feels despite having so, so much less than him. Hassan personifies 'innocence' which is crucial to development of the drama and symbolism that Assef's rape represents. 

Race and Ethnicity in the novel

Racism is portrayed quite bluntly through the novel. Assef is without a doubt the novel's most racist character and justifies his rape of Hassan because he's "just a Hazara." Just? When he joins the Taliban, he again justifies his vehement grudge against a whole ethnicity by referring to the Hazara people as garbage littering his beautiful country of Afghanistan seeing it his responsibility to "take out the garbage." 

Hosseini skillfully authors relationships between the characters to reveal the complexity of ethnic relevance in Afghanistan with a direct focus on the Pashtun and Hazara ethnic groups. Pashtuns dominate Afghanistan and have always held high positions in economic, state, military, and religious affairs. However as a minority, the Hazaras were always discriminated against and considered low class by the Pashtuns. Assef's character represents Afghan nationalism. For him, Afghanistan has always been for the Pashtuns. Out of his own volition, Assef abandons all forms of moral conduct to oppress the Hazara and cleanse his watan, country, of them. 

The instances of rape, namely that of Hassan and Sohrab by Assef, must be understood as crucial events that directly relate to the significance of race and ethnicity in Afghanistan. Besides rape being an act of physical violence committed against the victim, it is also an attack on the victim's self dignity or gheerah of man. Rape as a motif in the novel represents oppressive domination of the powerful (Pashtun) over those who are (quite literally) under them (Hazara).

Amir as a Pashtun boy fails to defend Hassan's innocence while he is being abused. The guilt he feels from this plagues and traps him in his past. Amir justifies his failure to defend Hassan by using Hassan's ethnic background as an excuse for his lack of intervention. Critics of the novel say that Amir's behavior towards Hassan cannot be rationalized therefore forever making Amir someone who is selfish and deplorable. Later when Amir learns him and Hassan were brothers his deep-rooted racism becomes something very complicated and he looks for more ways to redeem himself. When he adopts his nephew Sohrab he publicly rejects the General's (and his own implicit) racism when he announces that he can no longer refer to Sohrab as some "Hazara boy." 

This morning I read a paper written by a student, Peng, which analyzed Hassan's rape from an ethical perspective. He writes:

Hassan didn’t complain about Amir’s treachery and framing, Hassan sacrificed himself to preserve narrow and selfish Amir because he was bounded by the class and social ethics, which made him willing to bear everything in their own ethics and class environment. As a result, Hassan had never shown any dissatisfaction with this unequal status, nor had he tried to change his fate. 

Peng further elaborates on the unlucky fate of Hassan. Hassan's tragedy directly corresponds with his social status as a Hazara boy, almost as if being a Hazara is a crime and his rape a punishment for merely existing. As a victim of Afghanistan's ethnic antagonism, Hassan suffers from an experience that many other minorities have. Peng believes that Hassan's rape represents the "tragedy of Hazara and Afghan (Pashtun) society." 

DRAFT.. WIP

Thursday, May 5, 2022

AOT Ocean Scene Review (SPOILERS FOR S3!)

  Attack on Titan follows a group of three friends as they fight for their freedom. Armin, one of the friends, quite often uses the ocean as a tool to reignite the spark of hope in the hearts of his comrades Mikasa and Eren. The ocean plays a significant role in the show because it represents something so much more than just a large body of salt water as Grisha had described it to be. The ocean, like the sky, seems endless and free. Armin constantly refers to the ocean when motivating his friends because as children they promised each other that they will visit it. Armin believes that beyond the wall is the sea and that beyond the sea is freedom because they would be free from their walls. Watchers of the anime remain under this pretense until an unexpected answer ends season three. Eren argues that, after concluding that the world is their enemy due to their Eldian heritage, beyond the sea is not freedom as they had once been fooled to believe, but that rather, beyond the sea lurk their enemies. The sea is now understood to be something like a barrier, something that separates two enemies from each other’s throats. After watching the episode, I had to ask myself what the sea meant for them (Eren, Mikasa, and Armin), whether Eren’s reaction to the sea would effect the events, and how little the world of Attack on Titan is itself. 

Armin can be understood as an idealistic and optimistic character. His wish to visit the sea keeps him and his friends alive. He is obviously motivated to see it but more than that excitement, he yearns for a world beyond the walls he is trapped inside of. Armin remains innocent of his heritage and doesn’t confront the violence of his ancestor’s history previous to the ocean scene (I remain unaware of whether or not he speaks about it later on) and therefore does not consider that beyond the walls lurk his enemies. Here we are presented with the theme of mercy that the ocean provides the characters, at least Armin. 

    Unlike Armin, Eren understands sooner than his friends what the ocean means. Having once viewed the ocean as a place with no walls to cage him, Eren soon realizes his mission to save the Eldian people. The Eldians are viewed as monsters by virtually the entire world outside the walls and beyond the sea. Eren, rightfully so, no longer associates the ocean with freedom. For him, the ocean is another barrier, or wall, that shields him from his enemies. Eren must have felt quite resentful seeing this “new” wall after being fooled into believing that it was his gateway to freedom. After all, how can a young man believe in something that’s supposed to represent his freedom when on the other side of it there are people who want him and his loved ones killed? 

    Eren’s shift of perspective regarding the sea is deeper than is presented at surface level. Eren is now more determined than ever to protect his people from a possible mass genocide. In the ocean scene, Eren points and stares directly into the eyes of his enemy. His enemies aren’t exactly “made out” and remain invisible because he doesn’t literally face them, he faces the idea of them, one which he cannot see but can feel. The fact that he faces his enemies (although not literally) when staring into the ocean foreshadows the coming events. In that specific scene, the lack of defined enemies presents the auidence a vague understanding of the “enemy.” Is the enemy unknown and invisible to the eye? Or does the sight of the clear ocean’s reflection remain it’s own enemy? (Alluding to Eren). 

    I was really excited for this episode and certainly didn’t expect Eren to say what he did. However, I am glad that he was honest enough to state his intentions out loud in the company of those he trusts most. My ideas of an “enemy” and of the sea both changed after having watched this episode - not just in terms relating directly to the show, but in a way that I can extract and analyze from my own life. The enemy isn’t always stated in the beginning. That itself is found only through living life. Once you know yourself, you know your enemy. Having considered that, I can assume at that at this point of the series, Eren finally realizes who he is and the power he holds. This is both a dangerous and admirable thing. Will his emotions fog his decision making? How will he even make those decisions? Does he care for his opportunity cost? What value does a single life hold in the name of attaining freedom? So many questions. 

    I’m nervous for how the events will play out. I must admit that I am not entirely confident in Eren’s decision-making skills for many reasons, some being that he is at times quite impulsive and even “bratty.” But can I blame him? He didn’t ask for any of this and was born into a world of misery where he has to fight for his life and protect that of others. Can one blame a person raised in a cage of ignorance fooled by the idea of a world beyond their cage, one where they may be free and out of boundaries, only to discover in a horrifying manner that the whole world wants them killed? 

    Who is the real enemy, and who gets to decide that? 

Apr 20 2022

928 word count


Late Spring and Summer TBR

Alhamdulillah, I have been blessed to witness and complete another beautiful month of Ramadan. I only read one book in the past month because I wanted to focus on the Quran and my religious obligations. 

Now that Ramadan is over and school will soon be over as well, I decided to compile a modest list of books that I hope to read (and enjoy reading) during the upcoming season, Insha Allah. My goal this year is to finish 52 books. I don't really have a specific reading goal relating to a genre although more recently I have noticed myself gravitating towards books set in the Middle East/North Africa and South Asia. I guess I could say that at this point in my reading career I am more inclined to read a book with a culture I can relate to. (This includes Islamic themes). 

+ The Kite Runner

+ The Stationery Shop 

+ When the Apricots Bloom

+ The Saffron Kitchen 

+ The Beekeeper of Aleppo 

+ A Thousand Splendid Suns

+ A Place For Us

Other fiction titles I am interested in 

+ Call Me By Your Name

+ The Metamorphasis 

+ The Catcher in the Rye

+ Flowers for Algernon 

Apparently, all the books in this list except the first one are very similar to Camus' The Stranger which I read last winter and enjoyed a lot.

Books I have started and want to finish 

+ War and Peace 82%

+ Secrets of Divine Love 21%

+ The City of Brass 30%

+ Heros of Islam 25%

This is my list for now. Insha Allah I meet my goals and do better than anticipated. Perhaps later in the year I can add reviews/ratings to this list. 

In the aged pillars of the riad, I see myself.

Like the aged pillars of this riad, I embody my past and stand tall like a castle. One may look at me and trace the lines etched into my wea...